Vol.10, No 2, 2012 pp. 99 - 107
UDC
821.133.1.09 Blanšo M.
MAURICE BLANCHOT'S RÉCIT
AS PHENOMENOLOGY OF THOUGHT:
L'Arrêt de mort [Death Sentence] read through Husserl and Vygotsky
Slobodanka Vladiv-Glover
Monash University, Australia
E-mail:
millicent.vladivglover@monash.edu
This paper deals with the representation of thought through the aesthetic form of the récit, used by the French postmodernist, Maurice Blanchot to deploy a phenomenology of thought which is anti-representational, anti-revelational and anti-ontological. These positions are teased out through a confrontation of Blanchot's literary genre with some major exponents of European phenomenology and cognitive psychology, to wit: Hegel, Husserl, Heidegger, and Vygotsky.
Key words: Pure Negative Desire; anty-story; disconnectors or gaps; bracketing out of Dasein; schizo-poetics
PRIPOVEST MORISA BLANŠOA KAO FENOMENOLOGIJA MISLI:
Čitanje dela L'Arrêt de mort [Smrtna presuda] kroz Huserla i Vigotskog
Ovaj rad bavi se predstavom misli kroz estetičku formu pripovesti, koju francuski postmodernista Moris Blanšo koristi kako bi razvio jednu fenomenologiju misli koja je anti-reprezentaciona, anti-revelaciona i anti-ontološka. Autor donosi ove stavove na osnovu poređenja Blanšoovog književnog žanra sa nekim od vodećih predstavnika evropske fenomenologije i kognitivne psihologije, i to: Hegelom, Huserlom, Hajdegerom i Vigotskim.
Ključne reči: čista negativna požuda; anti-priča; diskonektori ili praznine; "dasein" (tubitak); šizo-poetika
